tag:blogger.com,1999:blog-7323643089904400443.post8172698704089191370..comments2024-02-11T03:21:54.973-05:00Comments on The Wonderful World of Louis Armstrong: 75 Years of Louis Armstrong's Unbelievable January 12, 1938 Decca SessionRicky Riccardihttp://www.blogger.com/profile/18000638350101809298noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-7323643089904400443.post-13981293367892104402013-01-15T13:54:06.085-05:002013-01-15T13:54:06.085-05:00I always thought Trumpet Lament was a bit of satir...I always thought Trumpet Lament was a bit of satire. Only he could play it with conviction and make it work. Louis Armstrong telling that story was obviously done tongue in cheek and the fans at that time had to know it when they heard those final high C's and the solid F to end it. <br />The quality of these recordings all from one session without overdubs or tricks is just unbelievable. RICHIEhttps://www.blogger.com/profile/02737003397981186112noreply@blogger.comtag:blogger.com,1999:blog-7323643089904400443.post-69707270360257433552013-01-14T08:03:05.570-05:002013-01-14T08:03:05.570-05:00I never knew that Louis and Paul Barbarin played t...I never knew that Louis and Paul Barbarin played together! And I think that's so cool. It's so interesting, how listening to music from one guy and then listening to music from another guy makes it easy for you to think that it's completely separate, and that they didn't know each other. But in fact, once you start looking into it, you realize they all knew each other and there Lemonlymelonhttps://www.blogger.com/profile/13694275410564224652noreply@blogger.com